I Am Love
written by: Bradford W.. Tilden
genre: folk
The inspiration for this song came to me after attending a workshop taught by the world reknowned breatharian Jasmuhine from Perth Australia at the 2007 Raw Spirit Festival in Sedona Arizon. The core lyrics were derived from a simple meditation mantra she taught us. This song is about the undying spirit of of humanity. This is a live recording from my piano concert in Oeiras, Portugal in November, 2009.
A Starlit Sky
written by: A Starlit Sky
genre: instrumental
This was one of my earlier inspirations. It popped out of me when I was 15. I often gaze at the cosmos at night. Though they are appear to be at rest in the sky, I know and feel their true dynamism. I absolutely love the drama and the beautiful climactic rush at the end. I'm pretty sure playing this in front the a music composition class as a prospective student is what got me in to Amherst College because the teacher turned to the students and explained to them what a "Plagal cadence" is- which is a cadence that resolves from the fourth the the tonic. I felt pretty proud that a professor was using my music as an example. It made me really feel like I knew what I was doing even though it comes naturally to me.
Second Movement of the Summer Solstice Sonata
written by: Bradford W.. Tilden
genre: instrumental
This piece is self explanatory. It is simply beautiful. It literally wrote itself. Measure after measure it rolled out of my mind like a scroll. The Sonata as a whole is modeled after the classical sonata, and Mozart was my primary influence for this movement, but I kick it up a notch with the dramatic middle section that is more evocative of post romanticism. The ending can only be a flourish to bring us towards the final movement, which is historically based on folk dances.
Finale to the Summer Solstice Sonata
written by: Bradford W. Tilden
genre: instrumental
This is the last movement of the Summer Solstice Sonata. It is one of the favorite pieces I've ever written both to listen to and play. --And to dance to! Can you envision the courtesans in the court with their big bell like gowns flourishing around? and their courtiers swinging them around? I love the return to the second theme in D Major. It's some of my favorite mateiral I've ever written. One carny friend of mine suggested that Circ De Sole should do a routine to it, and I agree. It has such a joyous principle theme, and the trio feels precious and delicate to me. I is influenced by the trio in the second movement of Schubert's Grand Sonata in B Flat major.
